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Marc's avatar

I can certainly relate to the urge to touch ( or smell, or eat! ) the pieces we find very engaging. I have never questioned the practice of touching with our eyes and being moved to make something as wonderful as that piece or the next. Although I don't expect to start physically touching the surfaces but the thought is rich with mystery.

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Victoria Powell's avatar

I love your way of describing thoughts as rich in mystery when youโ€™re touching with eyes. Yes! I also have the desire to get my tongue onto stuff! ๐Ÿ˜‚

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Francesca Iannaccone's avatar

I got into trouble once for touching a Lucie Rie bowl, it was like I couldn't help myself, I just wanted to feel what she had felt.

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Victoria Powell's avatar

Itโ€™s so hard to resist sometimes ๐Ÿ˜‚

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Lucy Churchill's avatar

I'm so happy to see your review of Harold Gosney's work. He is much loved in the region by generations of would-be sculptors who find him an endlessly patient and inspiring mentor. He shows that, with thought and skill, great things can be made from whatever materials are to hand.

I am privileged to have him as a friend and have spent happy and crucial hours in his workshop. Amongst many, many technical skills I have learned from him is to ask "What would Harold do in this situation?". The answer is always to keep thinking and experimenting, knowing that the solution will eventually be found.

See also this film about Harold: https://youtu.be/Jr5nlwArkzc

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Victoria Powell's avatar

Oh wow! This is wonderful stuff to read, Lucy. Lucky you to have him as a mentor โ€” I was thinking as I watched him talk how much knowledge and wisdom he has to offer younger artists. Iโ€™ll watch the video.

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Bridget Holyk Casey's avatar

Backpacking with that Gombrich text?! Oh, to be nineteen!

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Victoria Powell's avatar

I know! Imagine that!

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Effie Burns's avatar

A deeply satisfying read- lots to think about as the year closes.

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Victoria Powell's avatar

Thanks Effie ๐Ÿ’ฅ

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