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Fleshy Female Figures

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Art without the confusing art speak. Stories about all the messy, complicated stuff that artists explore and question: what’s going on, how we think and behave, how the past impacts on the present, and the role of art in our world.
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Fleshy Female Figures

Jenny Saville, digital photography, and the tension between figuration and abstraction

Dr Victoria Powell
Feb 5, 2023
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Jenny Saville, Fugue (2022). Watercolour, pastel, charcoal on canvas. © Jenny Saville. Photo: Prudence Cuming Associates Ltd.

If there’s one show I wish I had seen last year it’s Jenny Saville’s exhibition of new work at Gagosian in Paris. The show was called Latent and brought together paintings which for her raise questions about what is hidden or concealed from us.

Saville is one of Britain’s leading contemporary painters and is probably best known for her large-scale oil paintings of palpably fleshy female figures. Back in the 1990s she was associated with the group of artists known as the YBAs, and her early work was championed by the collector Charles Saatchi. If you’re not familiar with Saville’s work and need some introduction, she discusses her influences and the ideas that inform her work in this great podcast interview in 2020.

One of the things I find interesting about Saville’s work is that she straddles figuration and abstraction. She paints what we recognise as the human body, but she starts from the abstract and builds out from that. She describes it in terms of ‘laying down a problem’, destroying and rebuilding, until something that doesn’t at first make sense starts to make sense. For her there’s a fight in that process of creation, a tension between the abstract and the figurative. Saville describes her work as an investigation into what reality is, and her paintings reveal the journey of problem-solving that she undertakes in each artwork.

This week I watched a short video in which Saville talks about that body of work she made for the Paris show last year. I wanted to share it with you because for me it brings together a few ideas that I’ve talked about in recent weeks - about abstraction, the professionalism of artists, Artificial Intelligence, and the way in which artists assimilate new technologies in their work. If ever there was an artist who demonstrates a commitment to professionalism in the knowledge and study of art from the past, the daily discipline of studio time, and the intellectual problem-solving approach she brings to creating, it’s Jenny Saville. She’s curious about everything, she hoovers up imagery and marks from all sorts of places, and she feels excited rather than threatened by the potential of AI image-making.

I’d love to know what you think about Saville’s work and the ideas she talks about in this video.

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Fleshy Female Figures

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Aric Cheston
Writes You Should Own Art
Feb 5Liked by Dr Victoria Powell

I’ve listened to that A Brush With podcast at least twice. Ok, three times.

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Leila Ainge
Writes Psychologically speaking
Feb 5Liked by Dr Victoria Powell

Her work is fascinating, I’d love to see it up close. The squigginess (is that a real word?) of it is bold, and I know that grotesque is a word synonymous with some of the character pieces she’s created but it’s not too far from reality, and I like the idea of human form being represented in non airbrushed sillouhette lines.

I feel like it’s work you could really sink into as you enjoy it, I hope in real life it would feel like that!

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